7. Handheld
Handheld cameras offer flexibility and nimbleness, making them a valuable tool for dynamic and engaging shots. Positioning is key, so move strategically around the stage to find the best angles. Use objects in the room or on stage to frame your shots and follow compositional rules to create visually interesting footage.
Avoid repeating the same shots. Look for fresh perspectives for each vocalist or instrument. Repetitive shots can make the visuals feel stale for both the operator and the audience. Be creative and take advantage of the variety handheld cameras offer.
Match your shots to the music. If the song is building in intensity, add movement to reflect the energy. For slow, quiet moments, keep shots steady and controlled.
Stay aware of what’s happening beyond the immediate subject. Sometimes small, unnoticed moments—such as someone raising their hand in worship or a performer interacting with the crowd—can add depth to the storytelling. Always be looking for these moments.
Practical examples
When shots are too tight
A well-composed shot should be engaging but not disorienting. If a shot is framed too tightly, the audience might struggle to immediately understand what they are looking at when the director cuts to it. Keeping a comfortable amount of space in the frame helps maintain clarity.
Capturing crowd reactions
During a section of the show where certain instruments are not playing, a good handheld operator will recognize the opportunity to capture crowd shots. A well-timed audience reaction can enhance the moment and provide the director with a valuable cutaway shot.
Anticipating key moments
A skilled operator is always thinking ahead. If an electric guitar solo is coming up in the song, the camera operator should already be in position before it happens. When the director cuts to that shot, it creates a seamless and impactful moment.
Creating variety in movement
Variety is essential in handheld camera work. A good sequence might start with a close-up of hands playing an instrument, then reveal stage lighting, then transition to the drummer, and finally move across the stage to a vocalist. If a shot is already being covered by another camera, move on to something else to keep the production dynamic.
Layering foreground, middle ground, and background into shots adds depth and improves composition. A strong handheld operator moves with intention, staying one step ahead of the show to ensure the director always has fresh and compelling shots to work with.
By applying these techniques and staying aware of the overall production, handheld camera operators can take their skills to the next level.